Just a little something you might wear to receive your guests who are lucky enough to be on the list of those allowed to the Boudoir. “The Countess/Carlotta” in Il Muto - From the Il Muto “opera”. However, in the Victorian era, this ensemble would have been considered pretty racy because you have such an un-interrupted view of the female leg. Paneled bodice, skirt, tights, & hat all matching. This costume is meant to represent a confection, to be sure. “Ribbon Candy” - From the Masquerade scene. This is a “waterfall” bustle dress from the fashion era when the wealth of the husband could be easily gauged by the elaborateness of the wife’s dresses. “Mme Firmin” - Wife of the owner of the Paris Opera.
A very typical costume for an opera in the style of the Mozart era. Lavender and blue metallic brocade bodice and skirt with a lace fichu and ruffled underskirt. In the ‘opera’ of IL Muto, the non-speaking super’s role is being played by a member of the corps-de-ballet, Meg Giry. “Meg” from IL Muto - The Jeweler’s Assistant. (Vincent Costumes) Fedora and Mask (Rodney Gordon, Inc.) Black leather boots with red lining. (T. Silk faille waistcoat, shirt and silk bow tie. (Eric Winterling, Inc.) Wool sateen cape with jet embellishments. For an elegant man of his time, after the sun goes down, this was pretty normal stuff. 2 piece tailsuit of woven patterned silk. Phantom Suit and Cape - Silk tailsuit worn by the Phantom.
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