However, it is probably true to say that some potential users were put off by. Finally, those subs are sent out to individual tracks on the DAW where they are mixed for the tune, given reverb, comp, etc. Superior Drummer is the professional drum sampler flagship from Toontrack Music. Toontrack's Superior Drummer 2.0 essentially represents a second generation of DFH Superior and, when Paul White reviewed the original release back in March 2005, he was very impressed by the realism of the sound and the extraordinary level of detail in the sampling.
This is all still done inside of the Superior Drummer plugin. The same process is then done for all of the other drum parts (snare, toms, hats, overheads, room mics, etc). On that channel, I will then use a filter, touch of EQ and maybe a transient. I mix those then bus them to a bass drum sub channel. For example: SD2 will have a microphone for the inside of the bass drum, the outside of the bass drum, and then a sub mic for the bass drum.
The other thing I like to do is bus all of the parts to a sub then bus that to individual tracks. I try to just "massage" the sounds a touch to better suit the style of music I'm recording. If you like the natural sound of the recorded drums, then don't f&*k with them too much.
As a SD2 user, I can completely agree with this! The drum sounds where all professionally recorded so a very little goes a long way when it comes to EQ'ing these drum sounds.
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